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2019年10月15日 20:48:39 | 作者:放心资讯 | 来源:新华社
Tony Newton做了35年的普通开业医生但有时候,他说话时,你会突然想,他的工作生涯是不是作为一个维多利亚时代的校长度过的 因为他从不忌讳对那些不谨慎、不从分子施加一些铁腕 “他们需要管理,你知道的他们之中总是有一些恶棍,”他说着,眼睛眯起来,摆了摆手指“所以你得告诉他们谁才是掌权的叫他们看看谁是老大” Tony Newton spent 35 years as a GP. Yet sometimes, when he's talking, you momentarily wonder if he'd spent his working life as a Victorian-era schoolmaster. he isn't afraid to impose a little iron discipline on the unwary or the unwilling. "They want to take control, you know. There's a bit of thug in all of them," he says, his eyes narrowing, his finger wagging. "So you've got to tell them who's in charge. Show them who's boss."获奖:托尼和玛丽.牛顿的花园凝聚了年爱的劳作 那些危险分子是谁呢,谁需要教训?是一帮本地混混?一群整个下午都在本地火车站抽烟的小青年?不他所说的,是他后花园里的灌木丛尤其是那一群绚烂的槭属植物——枫树——它们那发脆的、闪亮的叶子变成了深深的铜红色,在今天灿烂的秋日暖阳里熠熠闪烁 托尼完全没有时间来多愁善感:他和他的妻子玛丽在他们的花园中种的这3000株植物,每一棵都必须“挣得自己的位置,用自己的方式回报”,要不然就会受到即时的惩罚——被赶出这片土地 等等在后花园里种3000棵植物? 没错而且这不是由一队专业园丁打理的豪华古宅这只是一个普通的郊区后园,紧邻着这对夫妻价值360000英镑的中产阶级房子,但现在的它是非同寻常的Award-winning: Tony and Marie Newton's garden has been a labour of love over years Who are the menaces who need some sense knocked into them? A local gang? The bunch of teenagers who spend their afternoons smoking in the local railway station? No. He's talking about the shrubs in his back garden. In particular, a group of glorious acers — maples — whose crisp, shiny leaves have turned such a deep, coppery red that they are positively glowing in the glorious autumn sunshine today. Tony there's no room sentimentality: every one of the 3,000 plants he and his wife Marie have planted in their garden must "earn its place and pay its way" or risk instant punishment by being whipped out of the ground. Hold on a moment. Three thousand plants in one back garden? Quite so. And this is no stately home maintained by an army of professional gardeners. It's an ordinary suburban back garden, perched behind the couple's pound;360,000 pebble-dashed home, which has been turned into something quite extraordinary. 01Lois Conner calls herself a collector of landscapes. The fascination started in childhood, when she was mesmerized by the panoramas she glimpsed on family road trips. But it turned into an artistic mission over the last three decades as she traveled through China with her view camera in search of images layered with detail and history.洛伊丝·康纳(Lois Conner)自称是风景收藏者这种迷恋始于童年,一家人驾车旅游的时候,沿路瞥见的景色让她陶醉不已在过去30年里,这种迷恋变成了艺术项目:她带着自己的大画幅相机,在中国走南闯北,寻找承载着历史与细节的影像And to think, her life work started almost by accident.想想看,她的终生事业几乎始于意外She was a graduate student in photography at Yale, from 1979 to 1981, when she had to take several electives outside of her medium. She chose a course on Ming dynasty landscape painting, where she was struck by the ;Dr. Seuss-like; scenes of the Li River, in what is now Guilin.1979年到1981年间,康纳在耶鲁读研究生,学习摄影,但必须选修几门自己艺术手法之外的课程她选择了明朝山水画,课上被漓江“苏斯士式的”景色打动这条江位于今天的桂林地区;I asked my professor, why did they make up that kind of landscape?; she recalled. ;And he said, That place really exists. ;“我问课上的教授,他们为什么要想象出那种风景?”她回忆道“结果他说,这地方真的存在”That when she knew she had to go to China. A 198 Guggenheim Fellowship got her there. Her insatiable curiosity has kept her returning ever since. Her new book and solo exhibition, ;Beijing: Contemporary and Imperial,; on view at the Cleveland Museum through June 9, offers up cinematic scenes of tangled trees and imperial gardens juxtaposed against stark, modern architecture.就在那个时刻,她知道自己必须去中国198年的古根海姆奖学金(Guggenheim Fellowship)让她得偿所愿打那以后,无穷的好奇心让她一次又一次地重返中国在她的新书《北京:当代与帝国(Beijing: Contemporary and Imperial)及同名展览中,呈现了种种电影般的场景:藤蔓交缠的树木、皇家的园林,却混搭着冷峻的现代建筑展览将在克利夫兰美术馆(Cleveland Museum)举办,至6月9日闭幕;In a way it unknowable,; Ms. Conner said. ;I started on something and I just feel like it never going to be finished.;Serendipity played a role in her becoming a photographer. Raised in southern Pennsylvania, Ms. Conner knew from an early age she wanted to be an artist. In her teens, she apprenticed herself to a painter who lived next door. She set off New York intent on studying fashion design. She took a job as a secretary at the ed Nations to pay the rent. She took courses in tap dancing, art and photography out of curiosity. Philippe Halsman, her photography teacher at the New School, asked her why she was studying fashion.“某种程度上,这是不可知的,”康纳说,“我开始做某件事情,然后感觉永远不会结束”在她成为摄影师的过程中,缘分起到了不小的作用在宾夕法尼亚州长大的康纳从小就明确自己想成为艺术家十几岁的时候,她在画家邻居那里当学徒后来,她来到纽约,准备学习时装设计,还在联合国找了份秘书的工作来付房租出于好奇,她学习了踢踏舞、艺术及摄影新学院大学(The New School)的摄影老师菲利普·哈尔斯曼(Philippe Halsman)问她,为何要念时尚?;I could not answer the question,; she said.“我答不上来,”她说That was enough to have her transfer to Pratt Institute to study photography. It was there she first encountered a view camera.这就足以让她转到普瑞特艺术学院(Pratt Institute)学习摄影在那里,她首次接触到大画幅相机;There was something about having the camera on the tripod that allowed me to pause,; she said. ;It just made sense to me. My sensibilities are more contemplative.;“相机放在三脚架上,让我能停下来,感觉挺特别,”她说,“这的确很适合我我的情绪更倾向于思考”She needed that quiet time, given her schedule. By day she was at school in Brooklyn. Evenings she worked at the ed Nations. Lunch was at midnight. At least when she started traveling the ed Nations she was able to afd a proper lens and tripod.由于日程繁忙,康纳很需要这种静下来的时间白天,她去布鲁克林上学,晚上则在联合国工作,午餐得等到午夜至少,当她开始为联合国的工作出差的时候,能买得起不错的镜头和三脚架了;Traveling suited me,; she said. ;When on the road I would try to think of what other road had looked this way, or how suddenly the landscape in front of me looked like China or other places Id never been.;“我喜欢旅行,”她说,“在路上的时候,我会努力回想别的什么路曾经看起来一模一样,或是想象眼前的风景突然就像是中国之类我没去过的地方”In 198, she left the ed Nations to become a full-time photographer.Her encounter with Chinese landscape painting prompted her to think in panoramas, which she eventually made with a 7× banquet camera. The camera was originally used in the late 19th century photographing large gatherings, and its mat and huge negatives ensured that throngs of sharply dressed guests would remain in equally sharp focus.198年,康纳离开联合国,成为全职摄影师对中国山水画的接触让她拥有了全景的思维方式,促使她最终用一台7×英寸的宴会相机来拍全景照这种相机原本在19世纪末用于拍摄大型聚会,其规格及巨大的底片能够保,一大群衣着光鲜的宾客会被拍得个个都很清晰During her three decades in China, she noticed many changes, like cities emerging seemingly out of nowhere.在探访中国的30年间,她注意到诸多变迁,比如有些城市似乎一夜之间拔地而起;Interior of the Bank of China During Construction; shows one of the first of the new architectural landmarks in Beijing, with its 0-foot, winglike interior obscured by a waffle of scaffolding in a tight frame, blotting the sky. Conversely, ;Solitary Arch, Changchun Yuan, Yuanming Yuan,; shows the skeleton of a snow-topped vault flanked by thin tilted trees, an entrance into a world both magical and removed. The wall was once apart of a Western palace designed by Jesuit missionaries in the mid-18th century the Qianlong emperor and served as both a de facto center the Chinese Empire and a site Chinese culture.《中国建造期间内景(Interior of the Bank of China During Construction)展现了北京首批新建筑地标中的一座0英尺(约合0米)的翼状内部结构紧紧包裹在格状脚手架中,遮蔽了天空与之相反,《圆明园长春园孤寂的拱门(Solitary Arch, Changchun Yuan, Yuanming Yuan)则表现的是积雪覆盖的一座残缺拱门,两侧栽着纤弱的歪树,好像是通往神奇而遥远世界的入口这些断壁残垣曾经属于18世纪中叶耶稣会士为乾隆皇帝设计的一座西式宫殿,当年曾是帝国实际上的中心,也是中华文化遗址Once part of a trio of its kind known as the Garden of Perfect Brightness, the wall was destroyed in 1860 by the British and the French. All that remains is this national ruin, a reminder of these European wounds.圆明三园在1860年毁于英法联军之手,剩下的只有这片作为国家纪念场所的废墟,提醒着人们欧洲带来的创伤But the photograph is doubly significant. It was a turning point in Ms. Conner project, when she started her longtime collaboration with Geremie Barmé, a leading expert on Chinese culture and history. It also sparked her obsession with the lotus flower, which has appeared in her work ever since.不过,这批照片具备双重意义这是康纳进行的项目的转折点当时,她刚开始与中国文化与历史方面的著名专家白杰明(Geremie Barmé)进行长期合作这还引发了她对荷花的痴迷从此以后,荷花成为她作品中的恒久主题;It was raining and it was summer,; Ms. Conner said. ;I got soaking wet. I just wanted to go home and take a shower. But, all of the sudden, I noticed these lotuses and water droplets sparkling on top of them.;Between her trips to China, Ms. Conner was busy teaching. She spent years at Yale as both director of undergraduate photography and a professor in the graduate school.“那时下着雨,是夏天,”康纳说,“我全身湿透了只想回家冲个澡可是,突然之间,我注意到了荷花和它们上面亮晶晶的水珠”在中国之行的间隙,康纳忙于教学她在耶鲁待了年,同时担任摄影本科专业的主管和研究生院的教授If she is not in China or teaching, Ms. Conner is processing her film or platinum printing in her apartment. The process is meticulous, but she wants her work to be believable, no matter how long it takes.如果既不在中国,又没有教书,康纳就是在自家公寓冲洗胶片或是制作铂金印相冲洗过程一丝不苟,因为她希望自己的作品真实可信,不管要花多长时间;The most important thing is not an artistic career or big pile of money, but to have that group of prints or the body of work that matters,; she said.“最重要的事情不是什么艺术生涯或大把钞票,而是拍出的照片集或者说是一生的作品能有意义,”她说;Atget is the perfect example,; she said, referring to the French photographer Eugène Atget. ;He put all the money into his work, but look what he has given us, it profound and encyclopedic, a life work. That what I aspire to at the end of my life, to have that body of work. Not fame, not tune, not recognition. I have enough right now.;“阿杰特就是完美的例子,”她说这里谈到的是法国摄影师尤金·阿杰特(Eugène Atget)“他把所有的钱都花到了工作上,看看他给我们留下了什么,深邃广,一辈子的作品我渴望生命终结的时候也能够做到,拿得出这样的作品不是名声,不是财富,也不是认同感这些东西我现在拥有的就足够了”What she cannot get enough of, however, is something that is endlessly enchanting. The lotus.不过,让她总觉得不够的是种拥有恒久吸引力的东西:荷花In one triptych, the flowers are scattered randomly, and yet there is a sense of order. If you stare long enough, you will discover whole worlds, villages, people, faces, eyes. Shadows become reflections; light sparkles like dabs of paint.在一组三联拍作品中,荷花随意散布,却又带有某种秩序感如果长时间盯着看,可以发现整个世界,村庄、人、面部和眼睛阴影变成了映射;光亮像零星的颜料般闪耀;Looking at my lotuses, I want to cry and photograph them until I dont have any film,; Ms. Conner said. ;And then when I dont have any film, I just want to sit there. It like being in love. I dont want it to stop. There are so many possibilities. My life isnt long enough.;“看着我的荷花,我想哭,想拍到没有胶片为止,”康纳说,“等到真没了胶片,我只想坐在那里跟坠入爱河似的,我不想结束可以做的事情太多了,我的生命却不够长” 376Big Thumb, Paris大拇指 巴黎 785

汉语中有很多跟动物相关的表达,例如“别把我当小白鼠!”或者“他淋成了个落汤鸡”等这些表达能让我们的语言更形象生动,英语里面也有很多类似的表达,一起来看一下吧!   1. Students in Class One will act as guinea pigs among the new teaching rem.   一班的学生将充当本次新课改的实验对象   . Handmade lace is as rare as hen's teeth; most lace is made by machine.  手工制作的蕾丝极为罕见,大部分是机器做的   3. Don't mention anything about that to your father. It's like a red rag to a bull.   不要在你爸面前提起那件事他听了肯定会生气的   . If you say that to her, you will be stirring up a hornet's nest.  如果你把那件事告诉她,那简直就无异于捅了马蜂窝   5. I thought he was going to have a cow when I told him I'd lost his key.   当我告诉他我丢了钥匙时,我以为他会大发雷霆的   6. He was like a cat in hot bricks bee his driving test.   驾驶考试之前,他紧张得像热锅上的蚂蚁   7. The plan is a dead duck: there is no money.  计划告吹了,因为没有钱   8. The government should not waste money supporting lame ducks.  政府不应浪费资金去扶持那些无前景的企业   9. He is a real home bird. He seldom takes part in the social events.  他真的很宅,很少出去参加社交活动   . He got the umbrella this morning and was caught in the rain like a drowned rat.   今天早上他忘记带雨伞了,被淋得像落汤鸡似的   . If you learn English parrot-fashion, you'll never know what English is.   如果你只是死记硬背,你将永远学不会英语   . Damian just isn't the violent type. He wouldn't hurt a fly.   戴米恩不是那种有暴力倾向的人,他连只苍蝇都不忍心杀   . He told us some cock-and-bull stories about having lost all his money.  他鬼话连篇,告诉我们他把钱都弄丢了 9563

They're only three days old, but it's not hard to spot who's going to be the troublemaker. As these seven fluffy ducklings lined up on a log to get a good look at the big world facing them, it seemed like an ideal opporty a family photo. Except that one member of the brood took it as a moment to express his individuality – and turned his back to the camera. He then stood up and accidentally caused the whole brood to fall off their perch.它们出生才3天,却并不妨碍其中某“小鸭”成为淘气包原来,正当7只毛茸茸的小鸭子在一根圆木上排排坐看世界——似乎也是拍全家福的绝好机会——时,其中一只借机显摆个性,背对着摄像机然后他竟然站起来并搞得所有小鸭都跌下了圆木 3871

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